OCAD University Graduate Exhibition, May 5, 2013
The Great Gatsby (2013) by Baz Luhrmann
Studio Saint-EX by Ania Szado
Straight Man by Richard Russo
The Testament of Mary of Colm Toíbín (Please see review here)
And, suspended in them, as there would have to be, three bundles of rags and what appeared to be a very large, squashed crow. How the devil had that fellow managed to get smashed into that shape? ... There was also-suspended, too, a tall melodramatic object, the head cast back to the sky. One arm raised in the attitude of, say, a Walter Scot Highland officer waving his men on. Waving a sword that wasn't there ... That was what wire did for you. Supported you in grotesque attitudes, even in death!
His action, when he had realized that they were really attending to him, had been exactly that of a rabbit dodging out of the wheat the reapers have just reached. At last he just lay down. He wasn't killed. They had seen him get up and walk off later. Still carrying his bait can! His antics had afforded those gunners infinite amusement.The war elicits hatred, as one would imagine, but perhaps towards a unforeseen object of dislike: towards civilians and its rulers: It was the civilian populations and their rulers that one hated with real hatred. Now the swine were starving the poor devils in the trenches!
You seduced a young woman in order to be able to finish your talks with her. You could not do that without living with her. You could not live with her without seducing her; but that was the by-product. The point is that you can't otherwise talk. You can't finish talks at street corners; in museums; even in drawing-rooms.He realizes that he can't live with Valentine at his ancestral estate Groby. His tenants and neighbours would sooner countenance a "doxy" (floozie) from the servants' hall than a "lady". They expect the bedding of a doxy from their masters but not a lady, daughter of his father's oldest friend, from whom they expect "quality" so he must search elsewhere for accommodations.
|Tietjens at war ...|
|The exquisite Carey Mulligan as Daisy Buchanan|
|Oheka Castle ... said to be an inspiration for Gatsby's mansion|
|Our hero at war ...|
|The alluring Rebecca Hall as Sylvia Tietjens|
|Sylvia meets Tietjens in Rouen|
|Wherefore the Hathahating?|
Michelle Alfano's Made Up of Arias beautifully evokes an immigrant childhood lived against the backdrop of opera, which stands in for all that her characters have lost or will never attain even while it speaks to the most common and everyday of their tragedies and joys. Alfano writes with the humour and compassion of someone who not only understands her characters, but forgives them.
Nino Ricci, Governor General Award winning author of The Origin of Species and Lives of the Saints
As a writer, Michelle Alfano has it all. Her narratives are beguiling and true and populated by vivid, convincing characters. She has a mastery of metaphor, each one is effective. I can’t say enough about her prose; it is sensuous and crystalline, intelligent and insightful. I have read her novellaMade Up of Arias three times. It stood up under the multiple readings. Each time I was both entertained and moved.
Caterina Edwards, Finding Rosa: A Mother with Alzheimer's, a Daughter in Search of the Past
Cultural observer and literary editor Michelle Alfano’s A Lit Chick blog is sharp, funny and thoughtful; her Bressani Award-winning novella,Made Up Of Arias, shows another side of this talented writer. In a story as operatic as the central metaphor in the lives of the Pentangeli family, whose mother sings arias from the rooftop and children act out dramas in front of a billboard on Paradise Street, this novella explores the tragedy and comedy of everyday life, with grace notes that beautifully evoke both postwar Sicily and a working class Ontario neighbourhood of the nineteen-seventies. Highly recommended.
Terri Favro, The Proxy Bride (Quattro Books, 2012)
Made Up of Arias is all the voices of childhood, all the stories that allow a child's imagination to safely try on adult themes. Alfano is a keen observer, with an eye for detail and a gift for humour. ... This charming story is well worth reading.
Julie Booker, Partners, ICCT, Spring 2009
Made Up of Arias is an important and welcome addition to the tradition of Italian-Canadian literary voices. [Michelle Alfano] is also an outstanding writer whose fiction carves a distinct place in Canada’s national narrative. Beautifully observed, richly comic, heartbreaking and compelling, Made up of Arias, deserves to be read by a broad audience as well as specialists.
Lilia Topouzova, Italian Canadiana,December, 2009
In her novella,Made Up of Arias, writer Michelle Alfano speaks in the beautifully compelling, yet remarkably guileless voice of her protagonist and narrator, Lilla Pentangeli ... Michelle Alfano’s mastery of English and Italian, her knowledge of opera, and her ability to elevate the ordinary, are inspiring and transforming.
Lina Medaglia, The Demons of Aquilonia, Accenti Magazine, Spring, 2010
I laughed out loud and cried too as I read this wonderful novella...There is such joy in this family, and there is such sorrow too…and Michelle Alfano evokes all of that with her stunning prose and her ability to make us see and grow to love this family, and just like in an opera, we also get to see ourselves.
Rachel Guido deVries, VIA – Voices in Italian Americana, Fall 2012
Michelle Alfano’s [Made Up of Arias] is a colourful, beautiful and fascinating story of the Pentangeli family immigrating to Canada …
Stefania Bartucci, “Italian-Canadian author Michelle Alfano connects opera to immigration”, Tandem, February 13, 2010